Buenos Aires screenwriter Pablo is hired to write a new romantic comedy. As he begins his story, he visualizes his characters living in Madrid. Pablo creates a meet-cute between Marina and Víctor, a cute couple in Madrid who are soon totally in love. Yet as Pablo gets more and more into the script, he finds it difficult to separate his movie characters from what is happening in his own real life – specifically, his own love life.
All the major DC superheroes are starring in their own films, all but the Teen Titans, so Robin is determined to remedy this situation by getting over his role as a sidekick and becoming a movie star. Thus, with a few madcap ideas and an inspirational song in their hearts, the Teen Titans head to Hollywood to fulfill their dreams.
Film director Wai asks gang leader Ball to invest in a movie. He cheats famous actors Lok and Sa Sa to take the classical film, and then he finds two stunt actors, April and KK, for the love scene. With the editing, he changes the film with famous actors acting erotic movie. Everything is smooth, but Ball comes up and asks for “special service” from April in exchange for his continued investment in the movie…
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
In their second film compilation following their 'Boogeymen:The Killer Compilation' series, FlixMix takes you into the history of action movies from Hollywood to Hong Kong cinema that spans a 20-year period. This one features action scenes from 16 action-packed movies featuring action gurus, Jet Li, Michelle Yeoh, Chow Yun-Fat, Jackie Chan, Jean-Claude Van Damme and many more.
Silent comedy about a poor country bumpkin who goes to Hollywood to make good.
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The evolution of adult cinema through the most influential films in history, a journey that begins in the 1970s and ends nowadays. An in-depth analysis of the success of the most prestigious erotic films, their impact on industry and society, and their influence on cinema and contemporary culture.
The Independent is a mockumentary comedy film made in 2000, directed by Stephen Kessler, starring Jerry Stiller as an independent film maker, who makes little-known B movies with titles like Twelve Angry Men and a Baby. The film spoofs independent directors and independent film. The film features Janeane Garofalo, Max Perlich, and cameos by Anne Meara, Ron Howard, Roger Corman, Peter Bogdanovich, John Lydon, Ben Stiller, Andy Dick, Fred Dryer, Jonathan Katz, Fred Williamson, Karen Black, Nick Cassavetes, Julie Strain and adult film actress Ginger Lynn. The fictional career of Morty Fineman (Stiller) is said to have made 427 films. It is not specified as to whether he directed them all, or if it refers to films produced or written by the Fineman character.
A trio of amateur film makers try to persuade a group of studio executives to exhibit their new movie.
Profile of the producer and former studio head of 20th Century Fox in the 1970s, Alan Ladd Jr.
Martin Scorsese celebrates American movies from the silent classics to the Hollywood of the seventies.
A cult guru urges a shy disciple to make life a movie and be its star.
The film consists of three episodes under the theme of “violence”. Episode 1. Min-Ho Win! The owner of the gas station asks Min-ho to do some errands. Not knowing what is ahead of him. Episode 2. Making Film In a place where a film about snuff-film is being made, a war of nerves between an actor and a director leads to a real violence Episode 3. My Fighting Life Standing by the side of the strong, Do-kyeong wins a fight but after being left alone, he is defeated in the end.
In 1915, Kansas theatre usher Merton Gill is a rabid silent-movie fan. When he brings Mammoth Studios free publicity by imitating star Lawrence Rupert's heroics, they bring him to Hollywood to generate another headline; he thinks he'll get a movie contract. Disillusioned, he haunts the casting offices, where he meets and is consoled by Phyllis Montague, bit player and stunt-woman. When Merton finally gets his "break," though, it's not quite what he envisioned.
After escaping a Communist dictatorship in Eastern Europe to make his American dream come true, together with his close friend Ed Wood, Stephen became the father of sexploitation cinema – before the liberalization of pornography. Chronicling his life and work including a hilarious look at his directorial debut / breakthrough, “Orgy of the Dead, which was adapted by Wood from his own novel, had about 20 pages of script, a cemetery set they could use and “no ideas,” this documentary proves Stephen is deserved of the title – worst director of all time!