tt0255782. Aida (1981) San Francisco. Verdi / Italian. An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
Antonio Vivaldi's opera is set on the enchanted island of the sorceress Alcina. Although old and ugly, Alcina can make herself appear beautiful to bewitch courtiers who set foot in her realm. When fate brings Angelica; her lover, Medoro; and the jealous Orlando to the island, Alcina finds herself challenged. American mezzo-soprano Marilyn Horne heads a stellar cast in this San Francisco Opera production.
This was a 1988 revival of a 1971 production that teamed Domingo (Vasco da Gama) and Verrett (Selika - both then very much in their prime) in Meyerbeer's discursive swan-song. Seventeen years on, they are more statuesque than sexy, but both give larger-than-life performances that contain moments of completely thrilling vocalism. The casting is very strong, with the exception of Justino Diaz's Nelusko, which has strong presence but not much vocal allure. As Inez, Vasco da Gama's fiancee and rival for Shirley Verrett, Ruth Ann Swneson sings with great beauty and has impressive stage presence, very much holding her own in the confrontation with Verrett in the last act. Domingo is refulgent of tone and dramatically convincing, and he and Verrett strike sparks. She really comes into her own in one of the most preposterous mad-scenes in all opera, where she is slowly poisoned by the scent of a giant tree, contriving to make this dramatically truthful and even moving.
The Phantom of the Opera is a 1990 NBC two-part drama television miniseries directed by Tony Richardson and stars Charles Dance in the title role. It is adapted from Arthur Kopit's book for his then-unproduced stage musical Phantom, which is based loosely on Gaston Leroux's novel.
Soupe Opéra is a children's television programme. It was created in France in the early 1990s, and was aired globally as distant as Australia, originally on free-to-air, non-commercial channel ABC1, but is now shown more commonly on sister channel ABC2 on the ABC 4 Kids lineup.
Opera Cameos is a TV series which aired on the DuMont Television Network from November 8, 1953, to January 9, 1955. The program aired Sundays at 7:30pm ET, and was hosted by opera singer Giovanni Martinelli. A conductor on the program was Salvatore Dell'Isola.
Kombat Opera Presents is a BBC2 comedy show. The comedy parodies British television programmes by transforming them into operas. The music for the series was written by Richard Thomas, with the series having its origins in the Kombat Opera segments of Simon Munnery's character The League Against Tedium, and his television show Attention Scum. The series won the Best Comedy prize at the 2008 Rose d'Or ceremony.
Opera Van Java is an Improvisation comedy show in Indonesian TV station, Trans 7. The idea of the show is wayang orang performances in a modern version.
Live from the Metropolitan Opera is an American television program that presented performances of complete operas from the Metropolitan Opera, New York City, on the Public Broadcasting Service television network. The program began in 1977, and was telecast live for its first few seasons. The first telecast, La Bohème, featured Luciano Pavarotti as Rodolfo and Renata Scotto as Mimi, with James Levine conducting; all three were interviewed during the intermission. Some of the celebrated opera singers featured on Live from the Met have included Plácido Domingo, Luciano Pavarotti, Beverly Sills, Samuel Ramey, Renée Fleming, Joan Sutherland, Marilyn Horne, Renata Scotto, Leontyne Price, and Sherrill Milnes. During its live broadcasts, the program featured lengthy interviews and features on opera topics during the intermissions. These segments were often up to a half-hour in length themselves. In 1988, the program title was changed to The Metropolitan Opera Presents, to reflect the fact that the performances were now taped prior to broadcast. Live from the Met functioned as a supplement to the regular Saturday Metropolitan Opera radio broadcasts. During its first fifteen years, the program was frequently simulcast, enabling some audiences to hear the opera in stereo via radio as well. Hosts of the program included Tony Randall, Beverly Sills, Speight Jenkins, Alexander Scourby, and Garrick Utley. The announcer was Peter Allen.